"Perhaps the most extreme release by the giant of Japan improv so far. A non-stop noise attack on aural comfort, consisting of two long pieces for turntables, mixer and hard-disk recorder. Amazing cut-up symphonies of parts and particles of hundreds of impossible to recognize sound sources: from cartoon music to car alarms to straight ear-splitting noise. Yet, despite all its violence, there is a soothing quality to this recording, as if the purpose of this noise aggression is to take us to the levels of pristine contemplation characteristic of Otomo's later releases."
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