Beautifully microscopic emissions, percussive lines made out of bits of static and white noise, skittering beats and deep Rhodes keyed in for that late night jazz club effect. The two albums that followed on from this amazing debut failed to recapture the same fresh spark, instead settling for a less daring approach to largely familiar material. It’s nice to see, then, that for their fourth album (the first for Friedman’s own Nonplace imprint) the duo have drafted in a whole host of contributors and have radically altered their sound – delivering a rather bizarre but refreshing take on 1920’s charleston with minimal digital intervention. The vocals of Riff Pike III – straight delivery that’s only ever so slightly given the traditional flanger treatment - consciously at the other end of the spectrum to what this duo have delieverd in the past. A cockle-warming, feelgood excursion from two undisputed masters. BK
Courtesy of Double Avenue Tentacles
12 comments:
moita biskens!!
great post.. problems unpacking it for some inexplicable reason... zw
my apologies, i'm a complete idiot.. the file is perfectly fine.. i think i had too many beers last night, wonderful music, great band, thanks juju.. what a dork! zw
p.s. plays perfectly in nero
thanks
Thank you very much !!!
This is perfect because I feel so good when I listen something like this because I get an interior peace with all those sounds that's cool.
I really like to listening this kind of music when I make Yoga it help me a lot to relax me.
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did anyone knows another flanger record?
a good album to enjoy a good relaxing time, and discover your techno side, with all those special effects and the amazing combination of light and sound.
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