Hossein Omoumi was born in Isfahãn, Iran, and began his musical education singing with his father. At age 14 he began to study the Ney, the traditional reed flute of Iran. In 1962, Omoumi entered the National University of Iran to study architecture, but also played the ney in musical competitions, later entering the National Conservatory of Music in Tehran.
His performance career has included appearances at many of the major festivals and concert halls in Europe and the United States, including San Francisco’s World Music Festival, UCLA’s Schoenberg Hall and Wadsworth Theater the Getty Center, in Los Angeles, the World Music Institute and Asia Society in New York, and Theatre de la Ville in Paris.
Omoumi is a noted scholar and teacher of Persian music, having served on the National Conservatory and Tehran University in Tehran, Center for Oriental Music Studies of Sorbonne University in Paris, UCLA in Los Angeles and the Ethnomusicology department of the University of Washington in Seattle. He is now Maseeh Professor in Persian Performing Arts of music at the University of California, Irvine, UCI. He is also an architect, having received his Doctorate from the University of Florence, Italy.
His research on the making of the Ney and percussion opened new possibilities and introduced significant innovations to the Ney, Tombak and Daf.
His performance career has included appearances at many of the major festivals and concert halls in Europe and the United States, including San Francisco’s World Music Festival, UCLA’s Schoenberg Hall and Wadsworth Theater the Getty Center, in Los Angeles, the World Music Institute and Asia Society in New York, and Theatre de la Ville in Paris.
Omoumi is a noted scholar and teacher of Persian music, having served on the National Conservatory and Tehran University in Tehran, Center for Oriental Music Studies of Sorbonne University in Paris, UCLA in Los Angeles and the Ethnomusicology department of the University of Washington in Seattle. He is now Maseeh Professor in Persian Performing Arts of music at the University of California, Irvine, UCI. He is also an architect, having received his Doctorate from the University of Florence, Italy.
His research on the making of the Ney and percussion opened new possibilities and introduced significant innovations to the Ney, Tombak and Daf.
08-12. Avâz-e Dashti
13-21. Dastgâh-e Châhârgâh
Hossein 'Omoumi - ney
Madjid Khaladj - tombak, daf
Recorded in 24-25 June 1992
Released by Nimbus Records in 1993
Humbly dedicated to Chris Kenmo.
link@320
8 comments:
Lovely!
Thanks!
marvelous, avaze- dashti is very cool , folk and indie are the types of music which keeps you soothing forver and ever and ever ,
indie is kinda cool too
great!
great! wus missing tracks 17-21 for years/ now I'll find out what it is.
Hi , many thanks for this album. Are there track names for the 21 tracks? I only notice you grouped them in the post but not sure what it means. Please explain as I want to know more :)
Well, I do not actually imagine it is likely to have effect.
Whenever you go and where ever you go. Be it the spa, a hotel or any-where else, its not the surrounding that gets inside you, it`s the inspirational music that plays with your mind and the environment around you..
Can you reupload this? Please?
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