La Légende d'Eer (1977-78) (47:04)
Electroacoustic Work for 7-channel tape
"La légende d'Eer is a powerful 7-channel electro-acoustic composition which Xenakis created in 1977-78 to be played in "Le Diatope", a curvaceous architectural construction designed by the composer, together with a visual component including laser lights. This "multi-media" work was composed for the opening of the Centre Georges Pompidou in Paris, where it was performed for three months and seen by thousands of people." in mode records website.
Electroacoustic Work for 7-channel tape
"La légende d'Eer is a powerful 7-channel electro-acoustic composition which Xenakis created in 1977-78 to be played in "Le Diatope", a curvaceous architectural construction designed by the composer, together with a visual component including laser lights. This "multi-media" work was composed for the opening of the Centre Georges Pompidou in Paris, where it was performed for three months and seen by thousands of people." in mode records website.
"Iannis Xenakis produced "La Légende d'Eer" in 1977 to celebrate the opening of the Pompidou Centre, that temple of the modern arts located on Beauborg Square in Paris. The 46-minute electronic work moves through a number of soundscapes. First there is soft ambience like one of Kaija Saariaho's "musical environments" (e.g. "Cloud Music", on a Petals disc). There is powerful fluttering designed by Xenakis for maximum impact on the ear, sweeping glissandos, sounds compressed down to a whistle and then expanded again. Whatever possibilities electronic means provide, Xenakis has used them. And yet, it's a much more accessible work than one would expect from the violent composer of "Metastasis" and "Nomos Alpha". Knowing that his piece was going to be played for a large Parisian audience, many of whom certainly didn't care about art music, sheer beauty seemed to be his overriding concern. But reading the booklet, with its description of Xenakis' design for the performance, really made me feel down. As Xenakis was an architect, he came up with a set that would truly complement the music: hundreds of mirrors, coloured lights, lasers. What a glorious experience it must have been to stand in the space and hear the music accompanied by such visuals. Indeed, the texts Xenakis put together to introduce the piece, by Plato (his "Legend of Er" from The Republic), Jean-Paul Richter, Pascal, and an astrophysicist writing on supernovas, mainly describe metaphysical experiences involving heavenly lights, multicoloured and infinite. It's quite remarkable how Xenakis, an atheist like much of the Darmstadt generation, was nonetheless intrigued by the idea of transcendence and the immortality of the soul. And yet, by just listening to this stereo audio recording, we miss out on the half of what Xenakis intended. [...] At least if you get MODE DVD which has the piece in surround sound, you get some of the spatial effects of this eight-track work."
by Christopher Culver
"[...] one of the most extreme electroacoustic music pieces ever produced in contemporary music. Our deepest respect to Iannis Xenakis, he lives eternally in his great music. "
by L. Vanessa
by Christopher Culver
"[...] one of the most extreme electroacoustic music pieces ever produced in contemporary music. Our deepest respect to Iannis Xenakis, he lives eternally in his great music. "
by L. Vanessa
Also check comments for Grasprelease's share of a new mix for Eer. Many thanks for this.
