"Composer/sculptor Fullman has been developing the Long String Instrument since 1980. An 80-foot long ax with 80 strings, concert presentation requires two to four players and a large room. The title refers to the players' need to use their whole bodies in performance, walking around the instrument, stroking and stroking and striking the strings. Tuned in just intonation and relying harmonically on the diatonic scale, the long strings create a wash of drones and overtones.
Searing, shifting textures seep into the air. Shimmering webs of overtones evoke an otherworldly string section."
"Five more astonishing compositions on long string sculpture-instruments, including the marvelously flowing "Work for 4," performed on a 145-foot-long string installation, already a modern classic. "Space Between" surprisingly produces some sounds normally associated with electronic music, and "Body Music" suggests a kind of celestial Delta-blues with its bar chording technique. A CD that will appeal to many listeners. ~ "Blue" Gene Tyranny, All Music Guide
::::::::::::::::::::::::::::::::::|
2. Over and Under (1:31)
3. Work for 4 (20:00)
4. Space Between (3:50)
5. Body Music (19:12)
6. Departure (4:04)
© Ellen Fullman : 1987, 1989, 1992
1993 Experimental Intermedia Foundation, NYC.


