This is the third CD in a Schütze trilogy which began with 1992's New Maps of Hell and continued with The Rapture of Metals; this final chapter is a certified masterpiece. Schütze, who plays keyboards and also supplies various inventive electronic treatments (tapes, digital sampling, etc.) has something of a signature sound. In the two earlier CDs in the trilogy, echoes of the Miles Davis electric funk emerged from time to time as an influence, along with touches of Jon Hassell (...). But on this CD, connections with the electric Davis of the 1970s are much more blatant. There's no trumpet, but Julian Priester's trombone supplies an occasional approximation, and the formidable guest list also includes Bill Laswell on bass, Lol Coxhill on soprano sax, Alex Buess on bass clarinet and Raoul Bjorkenheim on noisemetal guitars. And then there's the drumming. Dirk Wachtelaer's dominant cymbal and snare work is either very closely miked, or treated (or both), but regardless, it is frequently brutal-slamming, crashing, in-your-face confrontational. Throw in some serious guitar shredding by Bjorkenheim, and inspired electronic moans and howls supplied by Schütze, and you've got music that can grab you by the lapels and toss you into next week, and then turn around and drop almost instantly to an insidious, nightmarish whisper. (...) A major rush, and a major recording.
1. Future Nights
2. Early Mutation
3. Blue Like Petrol
4. Big God Blows In
5. Ten Acre Ghost
6. Eight Legs Out of Limbo
7. Inflammable Shadow (AKA: Vermilion Sands II)
