Paul Schütze - The Rapture of Metals (1993)

"The title of this CD might erroneously suggest something heavy, abrasive and industrial, but The Rapture of Metals is in part an elegant homage to the metallic gongs of the Indonesian gamelan orchestra. The title track is the most overtly Indonesian, with electronic drones and effects enhancing a traditional gamelan gong pattern. But on several other tracks, Schütze further personalizes his use of gongs, capturing the dreamy, otherworldly quality of Indonesian court music not just by "Westernizing" Indonesian motifs but by blending gamelan sounds and scales with his own rather haunting musical vision. Elsewhere on the CD, Schütze utilizes keyboard synthesizers and sophisticated electronic processing to create thick, ambivalent atmospheres which explore the boundaries between madness and ecstasy. "The Rapture of Drowning" has a viscous, aquatic texture and bursts of nightmarish discord, but nonetheless suggests a transcendent experience of some sort. And the final piece, "Sites of Rapture on the Lungs of God," is a series of elongated musical inhalations and exhalations, comprised of cathedral organ chords, sonorous drones, intriguing dissonances and various strange electronic treatments which add another level of dislocation to the music". William Tilland

"This disc was intended to accompany the 1992 release New Maps of Hell as the necessary stylistic conclusion to that work. Unfortunately my label at the time would not agree to this. In the six months which separate the two releases, I have been unable to resist altering, re-editing and replacing some of the pieces, but I still regard this disc as the second part of Maps". Paul Schutze, CD liner notes.

1. The Rapture of Concealment
2. Rapture of the Drowning
3. The Rapture of Ornament
4. The Rapture of Metals
5. Rapture of the Skin
6. Sites of Rapture on the Lungs of God

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Paul Schutze - Site Anubis (1996)

This is the third CD in a Schütze trilogy which began with 1992's New Maps of Hell and continued with The Rapture of Metals; this final chapter is a certified masterpiece. Schütze, who plays keyboards and also supplies various inventive electronic treatments (tapes, digital sampling, etc.) has something of a signature sound. In the two earlier CDs in the trilogy, echoes of the Miles Davis electric funk emerged from time to time as an influence, along with touches of Jon Hassell (...). But on this CD, connections with the electric Davis of the 1970s are much more blatant. There's no trumpet, but Julian Priester's trombone supplies an occasional approximation, and the formidable guest list also includes Bill Laswell on bass, Lol Coxhill on soprano sax, Alex Buess on bass clarinet and Raoul Bjorkenheim on noisemetal guitars. And then there's the drumming. Dirk Wachtelaer's dominant cymbal and snare work is either very closely miked, or treated (or both), but regardless, it is frequently brutal-slamming, crashing, in-your-face confrontational. Throw in some serious guitar shredding by Bjorkenheim, and inspired electronic moans and howls supplied by Schütze, and you've got music that can grab you by the lapels and toss you into next week, and then turn around and drop almost instantly to an insidious, nightmarish whisper. (...) A major rush, and a major recording.

1. Future Nights
2. Early Mutation
3. Blue Like Petrol
4. Big God Blows In
5. Ten Acre Ghost
6. Eight Legs Out of Limbo
7. Inflammable Shadow (AKA: Vermilion Sands II)

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